Logos.
It all starts with a logo. Crafting the perfect expressive mark is the foundation of any great brand.
For us it’s a passion, an obsession and essential to a great project.
The handmade, playfulness in our logo enables the brand to be irreverent and fun, while the energetic layers and textures can peel away to create elements of surprise.
We follow 11 NWSL players training, partying and living together under one roof. The logo reflects their 2 worlds: hard, gritty, and physical, yet flashy and glamorous.
Costume designers compete to design a music artist's tour wardrobe. The show is a small part reality docuseries, but a very large part awesome, sexy, dance show.
A logo that's part dusty small town cowboy. Part glittering Hollywood star. But mostly represents the weight that comes with being the Commander in Chief.
We created a simple, modern logo with a seriousness that reflects the legendary investigative journalism of Paula Zahn.
The simple and elegant logo represents legendary makeup mogul, Madolyn Addison. The explosion represents Marco Mejia and the chaos and spark he brings.
The logo and treatment for Enola Holmes 2 reflect a slightly darker, more dangerous world.
When Netflix asked us to brand Enola Holmes, we looked for insights in anti-establishment icons: British punk rock, Alexander McQueen, and the Victorian printing press.
This small crumbling pill represents the destruction caused by addiction.
We worked closely with the broadcast and key art teams to craft a logo that worked holistically for the whole campaign.
Working on the show open for Law & Order was a fantastic experience. Having the opportunity to update a 20-year mainstay of the franchise was an honor.
A simple, condensed typeface, but with something strange, something odd, something missing, that makes you question what you see.